Natalia Domínguez Rangel is a Colombian/Dutch artist and music composer currently living and working in Vienna and Amsterdam. She holds a Master in Music Composition, Conservatorium van Amsterdam.

Her compositions are played at Radialsystem, Berlin (DE); Muziekgebow aan‘t Ij, Amsterdam (NL); Vienna Biennale (AT), Theaterhaus – Südseite P1, Stuttgart (DE); Kiasma, Helsinki (FI); Festival Archipel, Geneve (CH); Het Orgelpark, Amsterdam (NL); International Film Festival Rotterdam, Rotterdam (NL); International Short Film Festival Oberhausen (DE); EYE Film Museum, Amsterdam (NL); STUK, Leuven (BE); Dampfzentrale, Bern (CH); ImPulz Tanz, Vienna (AT); November Music, Den Bosch (NL); Société de Musique Contemporaine, Lausanne (CH) De Apple Arts Center, Amsterdam (NL); Les Urbaines, Lausanne (CH); Gaudeamus Muziek Week, Amsterdam (NL); Huddersfield Contemporary Music Festival (UK); Museum Arnhem (NL), CODA Museum, Apeldoorn (NL) between others.

She is a docent at Design Art Technology department of ArtEZ, Arnhem, NL and teaches Sound in Sculpture at Universität für Musik und Darstellende Kunst (mdw) in Vienna.

OOZING
immersive multichannel sound piece (8 channels)

Voice (Soprano): Vida Matičič

Field recordings: Heike Vester, Félix Blume, Pablo Desirens, Natalia Domínguez Rangel

OOZING is a sound installation that investigates the porosity of boundaries between body and environment through aquatic imagery. It combines environmental and vocal recordings with recordings made through special microphones either in the artist’s body or in rivers, seas or pools. It is an invitation to immerse oneself in a welcoming, relational, visceral and meditative place, where sounds drip, flow, permeate the space, sealing the fusion between self and sea, voice and liquid element, water and breath, towards a new ecological and feminist awareness.